L.A. Confidential as a Re-Creation of American Noir Tradition

Krzysztof Antoniak

Résumé


In contemporary literature and visual media one may encounter many references to hard-boiled fiction and film noir, yet the themes and characters depicted in the classic texts have been reinvented and altered. This article argues that L.A. Confidential may be perceived as a re-creation of American noir tradition and intends to prove that James Ellroy’s L.A. Confidential may be classified as hardboiled literature. Moreover, it scrutinizes the figures of detectives presented in both the book and the film, and analyzes the work in terms of retro-noir, focusing attention on the figure of femme fatale, the notion of the city and the on-screen violence.


Mots-clés


noir; hard-boiled; L.A. Confidential; James Ellroy

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Références


BIBLIOGRAFIA PODMIOTOWA

Ellroy, J. (1994). L.A. Confidential. London: Arrow Books Limited.

Hanson, C. (1997). L.A. Confidential. Burbank: Warner Bros.

BIBLIOGRAFIA PRZEDMIOTOWA

Abrams, J.J. (2006). From Sherlock Holmes to The Hard-Boiled Detective. In: M.T. Conrad (ed.), The Philosophy of Film Noir (pp. 69–88). Lexington: The University Press of Kentucky.

Chandler, R. (1950). The Simple Art of Murder. Boston: Houghton Mifflin.

Christopher, N. (1997). Somewhere in the Night: Film Noir and the American City. New York: Free Press.

Douet, A. (2017). Representations of Los Angeles: Blade Runner and LA Confidential. From: www.academia.edu/10876889 (access: 14.09.2017).

Hausladen, G.J., Starrs, P.F. (2005). L.A. Noir. Journal of Cultural Geography, 23(1), pp. 43–69.

Knight, D. (2006). On Reason and Passion in The Maltese Falcon. In: M.T. Conard (ed.), The Philosophy of Film Noir (pp. 207–221). Lexington: The University Press of Kentucky.

Mayer, G., McDonnell, B. (2007). Encyclopedia of Film Noir. London: Greenwood Press.

Shefrin, E. (2005). Le Noir et le Blanc: Hybrid Myths in Devil in a Blue Dress and L.A. Confidential. Literature/Film Quarterly, 33(3), pp. 172–181.

Spicer, A. (2010). Historical Dictionary of Film Noir. Plymouth: The Scarecrow Press, 259, pp. 164–165.

Taubin, A. (1997). L.A. Lurid. Sight and Sound, 7, pp. 7–9.

Wager, J.B. (2005). Dames in the Driver’s Seat: Reading Film Noir. Austin: The University of Texas Press.

Zając, K. (2010). Ideologia i ikonografia w filmach retro-noir. Studia Filmoznawcze, 31, pp. 189–206.




DOI: http://dx.doi.org/10.17951/ff.2018.36.2.131-145
Date of publication: 2019-01-18 08:01:22
Date of submission: 2018-10-17 21:20:00


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