Souad Baghli Berbar
ORCID ID University of Tlemcen, Algieria
Algeria

Souad Baghli Berbar – Algieria, Tlemcen, Uniwersytet Abou Bekr Belkaïd, Wydział Filologii i Języków, Katedra Anglistyki; doktor, adiunkt; specjalizacja: literatura angloamerykańska; zainteresowania naukowe: literatura podróżnicza, orientalizm i komputerowa krytyka literacka; e-mail: berbar.souad@gmail.com; souad.baghli@univ-tlemcen.dz

 Wybrane publikacje:

1. Baghli Berbar, Souad, Bensahla Tani, Sara, and Hamza Reguig-Mouro, Wassila. (2021). Aspects of Intertextuality in Fantasy Adaptation through “The Lord of the Rings”, “Harry Potter” and “Game of Thrones”. The Journal of Art Studies (ASJ), 1, pp. 167–173. DOI: https://www.asjp.cerist.dz/en/article/172331.
2. Baghli Berbar, Souad. (2014). From Reality to Myth: The City of Alexandria in Lawrence Durrell’s Justine (1957). In: Veronica Bernard,  Hatice Ovgu Tuzun (eds.), Images (III) – Images of the City (pp. 175–184). Berlin and London: Lit Verlag.
3. Baghli Berbar, Souad. (2016). Herman Melville and Islam. The International Journal of English Language and Literature, 1, pp. 71–78.
4. Baghli Berbar, Souad. (2019). Henry James’s “The Ambassadors” and W. Somerset Maugham’s “The Fall of Edward Barnard”: Influence or Intertextuality? In:  Dennis Tredy, Annick Duperray, Adrian Harding (eds,), Reading Henry James in the Twenty-First Century: Heritage and Transmission (pp. 29–38). Newcastle: Cambridge Scholars Publishing.
5. Baghli Berbar, Souad. (2022). Female Trauma in Toni Morrison’s “The Bluest Eye” and Lynda Chouiten’s “Une Valse”. Revue Plurilingue: Études Des Langues, Littératures Et Cultures, 6(1), pp. 7–14. DOI: https://doi.org/10.46325/ellic.v6i1.80.