Vol 44, No 2 (2020)

Formal Intersections between Narrative Fiction and Other Media (Guest Editors: Grzegorz Maziarczyk & Wojciech Drąg)

Table of Contents

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Title-Page and Table of Contents
 
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Introduction

Narrative Fiction and Other Media: An Introduction
Grzegorz Maziarczyk, Wojciech Drąg
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1-2

Articles

Ekphrastic Historiographic Metafiction – Enfolding Word, Image and History
Dominika Bugno-Narecka
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3-13
Still Ekphrasis? Visual and Non-Visual Art in Contemporary Anglophone Fiction
Jarosław Hetman
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15-25
Ekphrastic Insets in Welsh-Language Fiction 1992-2016: An Overview
Aleksander Bednarski
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27-39
"Imprecision, uncertainty, transience, incompleteness": Gerhard Richter’s "October 18, 1977" and Don DeLillo’s "Baader-Meinhof"
Tristan Ireson-Howells
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41-50
From Brushes to Lenses: An Ekphrastic Stroll in "A Line Made by Walking" by Sara Baume
Joicy Silva Ferreira, Miriam de Paiva Vieira
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51-62
Precision, Honesty and Liveliness: The Newspaper Medium in "The Unfortunates" by B. S. Johnson
Katarzyna Biela
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63-74
Piecing Together J. G. Ballard’s "The Atrocity Exhibition"
Marcin Tereszewski
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75-82
"Lissa": An EthnoGraphic Experiment
Dominika Ferens
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83-97
Free Speech and Digital Discourse in Nicola Barker’s "H(A)PPY"
Joseph Andrew Darlington
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99-112
"A galaxy of signifiers”: David Clark’s "88 Constellations" for Wittgenstein as a Paradigm of the Barthesian Writerly/Plural Text
Wojciech Drąg
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113-122

Varia

Narrative, Temporality and the Modernist City
Dragoş Ivana
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123-131
The Color Red and its Pathetic Value in Abstract Expressionism and Late Surrealism
Christophe Ippolito
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133-143