L’ekphrasis toujours? L’art visuel et non visuel dans le roman contemporain anglophone

Jarosław Hetman

Résumé


L'article contient uniquement le résumé en anglais.

Mots-clés


ekphrasis; allographic art; autographic art; notional ekphrasis; visual art/non-visual art

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PDF (English)

Références


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DeLillo, D. (2016). Mao II. New York: Picador. Kindle edition.

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Goodman, N. (1968). Languages of Art: An Approach to a Theory of Symbols. Indianapolis: Bobbs, Merril.

Heffernan, J. A. W. (1993). Museum of Words. The Poetics of Ekphrasis from Homer to Ashbery. Chicago: University of Chicago Press.

Mitchell, W. J. T. (1994). Picture Theory. Chicago: University of Chicago Press.

Mitchell, W. J. T. (1996). What do pictures ‘really’ want? October, 77, 71-82.

Mitchell, W. J. T. (2005). There are no visual media. Journal of Visual Culture, 4(2). Retrieved July 31, 2012, from

http://www.mediaarthistory.org/refresh/Programmatic%20key%20texts/pdfs/mitchell.

Sawa, M. (2009). Your encounter with ekphrasis. Roczniki Humanistyczne, LVII(5), 97-121. Lublin: Wydawnictwo Katolickiego Uniwersytetu Lubelskiego.

Vonnegut, K. (2011). Bluebeard. New York: Dial Press Paperbacks.

Webb, R. (2009). Imagination and Persuasion in Ancient Rhetorical Theory and Practice. Farnham: Ashgate.




DOI: http://dx.doi.org/10.17951/lsmll.2020.44.2.15-25
Date of publication: 2020-07-14 13:48:27
Date of submission: 2020-03-29 13:20:01


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Droit d'auteur (c) 2020, Jarosław Hetman

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