Catalogue de vente aux enchères commenté : « Important Artifacts and Personal Property from the Collection of Lenore Doolan and Harold Morris, Including Books, Street Fashion and Jewelry » de Leanne Shapton

Grzegorz Maziarczyk

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L'article contient uniquement le résumé en anglais.


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Leanne Shapton; « Important Artifacts and Personal Property from the Collection of Lenore Doolan and Harold Morris, Including Books, Street Fashion and Jewelry »; catalogue de vente aux enchères; multimodalité; narrativité

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Références


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Fjellestad, D. (2018). Testing the limits: Leanne Shapton’s ekphrastic assemblage. Poetics Today, 39(2), 337–357. DOI: 10.1215/03335372-4324493.

Hallet, W. (2009). The multimodal novel: The integration of modes and media in novelistic narration. In S. Heinen, & R. Sommer (Eds.), Narratology in the Age of Cross-Disciplinary Narrative Research (pp. 129–153). Berlin, New York: De Gruyter.

Jakubowski, Z. (2013). Exhibiting lost love: The relational realism of things in Orhan Pamuk’s The Museum of Innocence and Leanne Shapton’s Important Artifacts. In D. Birke, & S. Butter (Eds.), Realisms in Contemporary Culture (pp. 124–145). Berlin, New York: De Gruyter. DOI: 10.1515/9783110312911.124.

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Shapton, L. (2009). Important Artifacts and Personal Property from the Collection of Lenore Doolan and Harold Morris, Including Books, Street Fashion and Jewelry. London, Berlin, New York: Bloomsbury.

Shields, D. (2010). Reality Hunger: A Manifesto. London: Hamish Hamilton.

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Sturken, M., & Cartwright, L. (2001). Practices of Looking: An Introduction to Visual Culture. Oxford: Oxford University Press.




DOI: http://dx.doi.org/10.17951/lsmll.2022.46.3.25-34
Date of publication: 2022-10-31 18:06:35
Date of submission: 2022-05-13 12:51:24


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Droit d'auteur (c) 2022, Grzegorz Maziarczyk

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