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Diesen Artikel per E-Mail versenden Die unglaubliche und grässliche Natur der Welt in „The Shining” (1980) von Stanley Kubrick
Abstract
Der Band enthält die Abstracts ausschließlich in englischer Sprache.
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PDF (English)Literaturhinweise
Davis, C. (2013). État présent. Hauntology, Spectres and Phantoms. In M. del Pilar Blanco, & E. Peeren (Eds.), The Spectralities Reader: Ghosts and Haunting in Contemporary Cultural Theory (pp. 53-60). New York, London: Bloomsbury.
del Pilar Blanco, M. & Peeren, E. (Eds.) (2013). The Spectralities Reader: Ghosts and Haunting in Contemporary Cultural Theory New York, London: Bloomsbury.
Derrida, J. (1994). Specters of Marx: The State of the Debt, the Work of Mourning & the New International. New York, London: Routledge.
Derrida, J. (1996). Archive Fever. A Freudian Impression. Chicago: The University of Chicago Press.
Falsetto, M. (2001). Stanley Kubrick. A Narrative and Stylistic Analysis. New and Expanded Second Edition. Westport: Praeger Publishers.
Luckhurst, R. (2013). The Shining. London: Palgrave.
Royle, N. (2003). The uncanny. Manchester: Manchester University Press.
Weinstock, J. A. (2013). Introduction: the Spectral Turn. In M. del Pilar Blanco, & E. Peeren (Eds.). The Spectralities Reader: Ghosts and Haunting in Contemporary Cultural Theory (pp. 61-68). New York, London: Bloomsbury.
Wolfreys, J. (2013). Preface: On Textual Haunting. In M. del Pilar Blanco, & E. Peeren (Eds.), The Spectralities Reader: Ghosts and Haunting in Contemporary Cultural Theory (pp. 69-74). New York, London: Bloomsbury.
DOI: http://dx.doi.org/10.17951/lsmll.2019.43.4.77-87
Date of publication: 2019-12-30 00:00:00
Date of submission: 2019-03-08 09:26:25
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