“Negative” and “Positive” Conceptions of Creativity: “Ontological Measures” and Intentionality

Ganna Biłyk

Abstract


Approaches to the understanding of creativity are divided in relation to the “ontological measure”. Accordingly, the positive approach involves the addition of a new Being to the world through creativity; the negative approach involves the subtraction of the Being from one of the components of the creative process, for the possibility of creativity. It is possible to allocate “the direction” of creativity, in relation to the addition or subtraction through the study of “creator – creation” relations in every conception of creativity. For example, negative creativity is possible only through subtraction of the Being from the position “creator”. The conceptions of Berdyaev and Blanchot are chosen as representative approaches. In addition, the researcher notes that there are more complicated approaches to the understanding of creativity, for example, “neutral” or transformative ones, which are based on the transformation of the existing Being in the world. The anthropological aspect of creativity is revealed through the notion of intentionality. This concept shows equal opportunities of different approaches and concepts in the field of practice of creativity.

Keywords


creativity; “negative” approach; “positive” approach; intentionality

Full Text:

PDF

References


Berdyaev N., The Crisis of Art, Leman and Sakharov, Moscow 1918 (Бердяев Н. А. Кризис искусства (Репринтное издание) / А. Н. Бердяев. – М.: СП Интерпринт, 1990. – 48 с.).

Berdyaev N., The Sense of Creativity, Prawda, Moscow 1989 (Бердяев Н. А. Смысл творчества. Опыт оправдания человека / Н. А. Бердяев. – М.: Изд-во «Правда», 1989. – 600 с.).

Blanchot M., The Space of Literature, the University of Nebraska Press, London 1982.

Blanchot M., The Wooden Bridge (Repetition, the Neutral), [in:] M. Blanchot, The Infinite Conversation. Theory and History of Literature, Vol. 82, University of Minnesota Press, Minneapolis–London 2003.

Deleuze G., Essays Critical and Clinical, Verso, London–New York 1998.

Homer, The Odyssey, Harvard University Press, William Heinemann Ltd, Cambridge–London 1919.

Horatius, Q. F., The Art of Poetry: To the Pisos, [in:] Horatius Q. F., The Works of Horace, ed. by C. Smart, Th. A. Buckley, Harper & Brothers, New York 1863.

Levchuk L., «To create the world from your own depth…», [in:] V. Romenets. Psychology of creation, Lybid, Kyiv 2001 (Левчук Л. Т. «Творити світ зі своєї власної глибини…» // Роменець В. А. Психологія творчості: Навч. Посібник. 2-ге вид., доп. – К.: Либідь, 2001. – 288 с.).

Plato, “Ion”. Plato in Twelve Volumes, vol. 9, Harvard University Press; William Heinemann Ltd, Cambridge–London 1925.

Pope John Paul II, Letter of his holiness to artists, From the Vatican, Eastern Sunday, April 4th,1999.

Das Unvollendete als Künstlerische Form. Ein Syposium, ed. by J. A. Schmoll, Francke Verlag, Bern und München 1960.

Zborovska N., Psychoanalysis and Literary Criticism, Kyiv 2003 (Зборовська Н. В. Психоаналіз і літературознавство: Посібник. – К.: Академвидав, 2003. – 392 с. – (Альма-матер).

Zinchenko V., Methods of studying literature. System approach, Flinta: Nauka, Moscow 2002 (Зинченко В. Г., Зусман В. Г., Кирнозе З. И. Методы изучения литературы. Системный подход: Учеб. пособие. – М.: Флинта: Наука, 2002. – 200 с.).




DOI: http://dx.doi.org/10.17951/kw.2014.11.107
Date of publication: 2015-04-20 21:47:33
Date of submission: 2015-04-20 17:21:09


Statistics


Total abstract view - 872
Downloads (from 2020-06-17) - PDF - 0

Indicators



Refbacks

  • There are currently no refbacks.


Copyright (c) 2015 Ganna Biłyk

License URL: http://creativecommons.org/licenses/by-nc-nd/3.0/deed.pl