Transgresser les limites de la tradition : "Our Lady" (1999) et "Our Lady of Controversy II" (2008) d‘Alma López
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Burgin, V. 1986. The End of Art Theory: Criticism and Postmodernity. Hampshire: Macmillan.
Calvo, L. 2004. Art comes for the Archbishop: The semiotics of contemporary Chicana feminism and the work of Alma Lopez. Meridians: feminism, race, transnationalism, 5(1), 201-224.
Gaspar de Alba, A. 2014. Devil in a rose bikini. The inquisition continues. In: A. Gaspar de Alba (ed.), Un]framing the “Bad Woman:” Sor Juana, Malinche, Coyolxauhqui and Other Rebels with a Cause. Austin: University of Texas Press, 203-245.
Gaspar de Alba, A., López A. 2011. Our Lady of Controversy: Alma López’s Irreverent Apparition. Austin: University of Texas Press.
González, D. 2011. Making privates public: It’s not about La Virgen of the conquest, but about the conquest of La Virgen. In: A. Gaspar de Alba (ed.), Our Lady of Controversy. Austin: University of Texas Press, 69-95.
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McFarland, P. 2008. Chicano Rap: Gender and Violence in the Postindustrial Barrio. Austin: University of Texas Press.
Nunn, T. 2011. It’s not about the art in the folk, it’s about the folks in the art: A curator’s tale. In: A. Gaspar de Alba (ed.), Our Lady of Controversy. Austin: University of Texas Press, 17-42.
Rodriguez, J. 1994. Our Lady of Guadalupe: Faith and Empowerment among Mexican-American Women. Austin: University of Texas Press.
Stratten, N. 2009. The Virgin of Guadalupe: an Image of a Superhero for Chicana Artists. http://kookitasthoughts.blogspot.com/p/virgin-of-guadalupe.html
Ybarra-Frausto, T. 2003. Notes from Losaida: A foreword. In: A. Gaspar de Alba (ed.), Velvet Barrios: Popular Culture and Chicano/a Sexualities. New York: Palgrave Macmillan, xv-xxviii.
DOI: http://dx.doi.org/10.17951/lsmll.2017.41.2.112
Date of publication: 2018-01-02 15:01:07
Date of submission: 2017-04-20 14:23:12
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Droit d'auteur (c) 2018, Ewa Antoszek
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