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| Issue |
Title |
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| Vol 48, No 2 (2024): America in Crisis? Literary and Cultural Representations of American Crises (Guest Editors: Ewa Antoszek & Małgorzata Rutkowska) |
All Because You Matter – Manifestations of Black Struggle and Resilience in Black Lives Matter Children’s Picturebooks |
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Ewa Klęczaj-Siara |
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| Vol 48, No 2 (2024): America in Crisis? Literary and Cultural Representations of American Crises (Guest Editors: Ewa Antoszek & Małgorzata Rutkowska) |
The Californian “Trash World:” Crisis and Catastrophe in Philip K. Dick’s Novels |
Abstract
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Felix Purat |
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| Vol 48, No 2 (2024): America in Crisis? Literary and Cultural Representations of American Crises (Guest Editors: Ewa Antoszek & Małgorzata Rutkowska) |
Introduction |
Abstract
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Ewa Antoszek, Małgorzata Rutkowska |
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| Vol 48, No 1 (2024): Cultural Landscapes of East Central Europe in Travel Prose (Guest Editor: Anna Pastuszka) |
Journey Begins in One’s Own Room – Imaginary Topographies in Oswald Egger’s Artist Book "Either I only dreamed the trip on the Mississippi or I’m dreaming now" |
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Beate Sommerfeld |
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| Vol 47, No 3 (2023): Foreign Language Learning and Teaching in Pandemic and Non-Pandemic Times (Guest Editors: Marek Krawiec, Ferit Kılıçkaya & Tomasz Róg) |
Reconsidering Spatial Interaction in the Virtual Literature Classroom after the Pandemic Lockdown |
Abstract
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Mustafa Zeki Çıraklı |
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| Vol 48, No 1 (2024): Cultural Landscapes of East Central Europe in Travel Prose (Guest Editor: Anna Pastuszka) |
History, Culture and Memory in the Novel "Grunowen oder Das vergangene Leben" by Arno Surminski |
Abstract
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Konrad Łyjak |
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| Vol 48, No 1 (2024): Cultural Landscapes of East Central Europe in Travel Prose (Guest Editor: Anna Pastuszka) |
New Odysseys or from Mare Nostrum towards Mare Monstrum? (The) Mediterranean Route(s) in Selected Examples of Contemporary German Literature |
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Stephan Wolting |
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| Vol 48, No 1 (2024): Cultural Landscapes of East Central Europe in Travel Prose (Guest Editor: Anna Pastuszka) |
A Journey to ‚German Prague‘. Gertrud Fussenegger’s Travelogue 'Bohemian Enchantments' ["Böhmische Verzauberungen", 1944] |
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Christopher Meid |
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| Vol 47, No 4 (2023): Stories and Conflicts. Narratives of War in Contemporary Literature (Guest Editor: Anna Maziarczyk) |
Inscription of History in "Un long moment de silence" by Paul Colize |
Abstract
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Renata Bizek-Tatara |
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| Vol 48, No 1 (2024): Cultural Landscapes of East Central Europe in Travel Prose (Guest Editor: Anna Pastuszka) |
Europe‘s Cultural Landscapes in Travel Literature. An Introduction |
Abstract
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Anna Pastuszka |
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| Vol 45, No 4 (2021): Thinking, Writing and Translating Otherness (Guest Editors: Olga Kulagina & Anna Maziarczyk) |
Uncle Sam’s Soldiers: Stereotypes of American Combatants in French Children’s Literature During the Great War (1917–1920) |
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Joceline Chabot, Noémie Haché-Chiasson |
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| Vol 48, No 1 (2024): Cultural Landscapes of East Central Europe in Travel Prose (Guest Editor: Anna Pastuszka) |
Psychogeographical Walks with Paul Scraton and his Walk Book "On The Edge: Berlin Outskirts" |
Abstract
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Jerzy Kałążny |
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| Vol 43, No 1 (2019): Literature, politics, economy: similarities and interferences (Guest Editors: Anna Maziarczyk & Jolanta Rachwalska von Rejchwald) |
The place of a woman on the literary scene. The strategies of legal validation |
Abstract
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Hélène Barthelmebs-Raguin |
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| Vol 42, No 3 (2018): Water in Belgian Francophone literature (1830-2017) (Guest Editor: Renata Bizek-Tatara) |
Is the postcolonial subject soluble in water? The aquatic motif in Saber Assal’s “À l’ombre des gouttes” |
Abstract
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Przemysław Szczur |
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| Vol 39, No 1 (2015) |
14 Jeana Echenoza: war novel and pathos |
Abstract
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Dominique Faria |
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| Vol 44, No 4 (2020): Geocritical Readings of Literature over the Centuries (Guest Editors: Loubna Achheb & Anna Maziarczyk) |
And If, at the Louvre, We Breathed a Ghost! Geocriticism of a Museum As a Space |
Abstract
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Lamia Mecheri |
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| Vol 44, No 2 (2020): Formal Intersections between Narrative Fiction and Other Media (Guest Editors: Grzegorz Maziarczyk & Wojciech Drąg) |
Ekphrastic Insets in Welsh-Language Fiction 1992-2016: An Overview |
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Aleksander Bednarski |
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| Vol 44, No 2 (2020): Formal Intersections between Narrative Fiction and Other Media (Guest Editors: Grzegorz Maziarczyk & Wojciech Drąg) |
Piecing Together J. G. Ballard’s "The Atrocity Exhibition" |
Abstract
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Marcin Tereszewski |
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| Vol 44, No 2 (2020): Formal Intersections between Narrative Fiction and Other Media (Guest Editors: Grzegorz Maziarczyk & Wojciech Drąg) |
"A galaxy of signifiers”: David Clark’s "88 Constellations" for Wittgenstein as a Paradigm of the Barthesian Writerly/Plural Text |
Abstract
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Wojciech Drąg |
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| Vol 44, No 1 (2020): Traduire les émotions / Translating Emotions (Guest Editors: Anna Krzyżanowska & Raluca-Nicoleta Balaţchi) |
Fantastic Literature in Translation and the Degrees of Fear |
Abstract
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Raluca Nicoleta Balatchi |
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| Vol 44, No 1 (2020): Traduire les émotions / Translating Emotions (Guest Editors: Anna Krzyżanowska & Raluca-Nicoleta Balaţchi) |
Writing and Translating Emotions in Children's Literature Astrid Lindgren's "Les frères Coeur-de-Lion" |
Abstract
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Alizon Pergher |
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| Vol 44, No 1 (2020): Traduire les émotions / Translating Emotions (Guest Editors: Anna Krzyżanowska & Raluca-Nicoleta Balaţchi) |
Subjectivity in (Re)Translation: The Case of Oscar Wilde’s Tales in Romanian |
Abstract
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Daniela Hăisan |
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| Vol 44, No 4 (2020): Geocritical Readings of Literature over the Centuries (Guest Editors: Loubna Achheb & Anna Maziarczyk) |
Ian Rankin: A diachronic Study of the City of Edinburgh |
Abstract
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Florence Dujarric |
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| Vol 43, No 2 (2019): Gothic Explorations. Studies in Literature and Film (Guest Editors: Anna Kędra-Kardela, Aleksandra Kędzierska & Andrzej Sławomir Kowalczyk) |
The Dialogic Mode in Jane Austen’s ”Northanger Abbey”: The Manorial Gothic Meets a Subversive Novel of Manners |
Abstract
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Urszula Terentowicz-Fotyga |
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| Vol 42, No 3 (2018): Water in Belgian Francophone literature (1830-2017) (Guest Editor: Renata Bizek-Tatara) |
The omnipresence of the sea in the writing of Jean Muno |
Abstract
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Isabelle Moreels |
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