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| Issue |
Title |
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| Vol 43, No 1 (2019): Literature, politics, economy: similarities and interferences (Guest Editors: Anna Maziarczyk & Jolanta Rachwalska von Rejchwald) |
The place of a woman on the literary scene. The strategies of legal validation |
Abstract
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Hélène Barthelmebs-Raguin |
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| Vol 42, No 3 (2018): Water in Belgian Francophone literature (1830-2017) (Guest Editor: Renata Bizek-Tatara) |
Is the postcolonial subject soluble in water? The aquatic motif in Saber Assal’s “À l’ombre des gouttes” |
Abstract
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Przemysław Szczur |
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| Vol 45, No 4 (2021): Thinking, Writing and Translating Otherness (Guest Editors: Olga Kulagina & Anna Maziarczyk) |
Uncle Sam’s Soldiers: Stereotypes of American Combatants in French Children’s Literature During the Great War (1917–1920) |
Abstract
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Joceline Chabot, Noémie Haché-Chiasson |
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| Vol 41, No 1 (2017): Lenses on English Literature and Teaching English (Guest Editors: Ferit Kilickaya & Mustafa Zeki Cirakli) |
Harold Bloom’s Concern and “The Touch” that Always Does Wonders |
Abstract
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Beture Memmedova |
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| Vol 40, No 2 (2016): Self-Narratives and Social Criticism (Guest Editor: Christophe Ippolito) |
Alterity, First-Person Narratives and Memory in Paul Auster’s Works |
Abstract
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Mehdi Kochbati |
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| Vol 40, No 2 (2016): Self-Narratives and Social Criticism (Guest Editor: Christophe Ippolito) |
Life as Fiction: the Autofictional Turn in Women’s Writing of the Maghreb |
Abstract
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Nancy Nabil Ali |
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| Vol 40, No 2 (2016): Self-Narratives and Social Criticism (Guest Editor: Christophe Ippolito) |
Transcultural Mobility and Contemporary Self-Narratives in Francophone Canada |
Abstract
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|
Adina Balint |
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| Vol 42, No 2 (2018) |
Svetlana Alexievich’s artistic and documental prose on the example of the book Boys in Zinc: “Fear is more human than courage” |
Abstract
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Zoja Kuca |
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| Vol 42, No 3 (2018): Water in Belgian Francophone literature (1830-2017) (Guest Editor: Renata Bizek-Tatara) |
Vera Feyder’s waterscapes |
Abstract
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Judyta Zbierska-Mościcka |
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| Vol 42, No 3 (2018): Water in Belgian Francophone literature (1830-2017) (Guest Editor: Renata Bizek-Tatara) |
Fantastic metamorphoses. On water creatures in the writing of Maurice Carême and Anna Richter |
Abstract
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Renata Bizek-Tatara |
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| Vol 42, No 3 (2018): Water in Belgian Francophone literature (1830-2017) (Guest Editor: Renata Bizek-Tatara) |
The omnipresence of the sea in the writing of Jean Muno |
Abstract
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|
Isabelle Moreels |
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| Vol 43, No 1 (2019): Literature, politics, economy: similarities and interferences (Guest Editors: Anna Maziarczyk & Jolanta Rachwalska von Rejchwald) |
Singing in the singular: aesthetic and policy of a romantic voice |
Abstract
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|
Aleksandra Wojda |
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| Vol 43, No 2 (2019): Gothic Explorations. Studies in Literature and Film (Guest Editors: Anna Kędra-Kardela, Aleksandra Kędzierska & Andrzej Sławomir Kowalczyk) |
The Dialogic Mode in Jane Austen’s ”Northanger Abbey”: The Manorial Gothic Meets a Subversive Novel of Manners |
Abstract
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Urszula Terentowicz-Fotyga |
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| Vol 44, No 1 (2020): Traduire les émotions / Translating Emotions (Guest Editors: Anna Krzyżanowska & Raluca-Nicoleta Balaţchi) |
Subjectivity in (Re)Translation: The Case of Oscar Wilde’s Tales in Romanian |
Abstract
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Daniela Hăisan |
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| Vol 39, No 1 (2015) |
14 Jeana Echenoza: war novel and pathos |
Abstract
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Dominique Faria |
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| Vol 44, No 1 (2020): Traduire les émotions / Translating Emotions (Guest Editors: Anna Krzyżanowska & Raluca-Nicoleta Balaţchi) |
Fantastic Literature in Translation and the Degrees of Fear |
Abstract
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Raluca Nicoleta Balatchi |
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| Vol 44, No 2 (2020): Formal Intersections between Narrative Fiction and Other Media (Guest Editors: Grzegorz Maziarczyk & Wojciech Drąg) |
"A galaxy of signifiers”: David Clark’s "88 Constellations" for Wittgenstein as a Paradigm of the Barthesian Writerly/Plural Text |
Abstract
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Wojciech Drąg |
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| Vol 44, No 2 (2020): Formal Intersections between Narrative Fiction and Other Media (Guest Editors: Grzegorz Maziarczyk & Wojciech Drąg) |
Piecing Together J. G. Ballard’s "The Atrocity Exhibition" |
Abstract
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Marcin Tereszewski |
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| Vol 44, No 2 (2020): Formal Intersections between Narrative Fiction and Other Media (Guest Editors: Grzegorz Maziarczyk & Wojciech Drąg) |
Ekphrastic Insets in Welsh-Language Fiction 1992-2016: An Overview |
Abstract
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|
Aleksander Bednarski |
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| Vol 44, No 2 (2020): Formal Intersections between Narrative Fiction and Other Media (Guest Editors: Grzegorz Maziarczyk & Wojciech Drąg) |
From Brushes to Lenses: An Ekphrastic Stroll in "A Line Made by Walking" by Sara Baume |
Abstract
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Joicy Silva Ferreira, Miriam de Paiva Vieira |
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| Vol 44, No 4 (2020): Geocritical Readings of Literature over the Centuries (Guest Editors: Loubna Achheb & Anna Maziarczyk) |
And If, at the Louvre, We Breathed a Ghost! Geocriticism of a Museum As a Space |
Abstract
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Lamia Mecheri |
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| Vol 44, No 4 (2020): Geocritical Readings of Literature over the Centuries (Guest Editors: Loubna Achheb & Anna Maziarczyk) |
Ian Rankin: A diachronic Study of the City of Edinburgh |
Abstract
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Florence Dujarric |
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| Vol 44, No 4 (2020): Geocritical Readings of Literature over the Centuries (Guest Editors: Loubna Achheb & Anna Maziarczyk) |
Fantasy and Metalepsis in Rainbow Rowell’s Diptych “Fangirl” (2013) and “Carry On” (2015) |
Abstract
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Marion Velain |
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| Vol 46, No 1 (2022): Voices of Otherness in Francophone Literature (Guest Editors: Olga Kulagina & Anna Maziarczyk) |
Linguistic Codes and Identity in "Un homme ça ne pleure pas" (2014) by Faïza Guène |
Abstract
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Dalila Arezki |
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| Vol 46, No 3 (2022): Beyond Language: Intermediality and Multimodality in Literature and Literary Studies (Guest Editors: Dominika Bugno-Narecka, Heidrun Führer & Miriam de Paiva Vieira) |
Blinding Lights: The Angst of Present Time in José Saramago |
Abstract
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Gabriel Franklin |
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