From a Gothic Text to a Neobaroque Cinema: Wojciech Jerzy Has’s Adaptation of James Hogg’s ”The Private Memoirs and Confessions of a Justified Sinner”

Zofia Kolbuszewska

Abstract


The article discusses the journey of the gothic novel The Private Memoirs and  Confessions of a Justified Sinner (1824) by James Hogg (1770-1835) from  the repertoire of Scottish  Romanticism to the neobaroque film adaptation Osobisty pamiętnik grzesznika przez niego samego spisany (1986) by the Polish filmmaker Wojciech Jerzy Has (1925-2000). The film demonstrates Has’s anamorphic position and emphasizes the crucial role of the gothic text’s neobaroque aesthetics in illuminating Polish cultural and political conflicts in 1986. Has rearticulates contradictions structuring the puritan-provincial mind depicted by Hogg and launches a critique of factional fanaticism.


Keywords


Wojciech Jerzy Has; James Hogg; provincial gothic; puritan-provincial mind; Neobaroque; anamorphic position

Full Text:

PDF

References


Bronowski, J. (Ed.). (1958). William Blake. Harmondsworth: Penguin Books.

Buci-Gluksmann, Ch. (1994). Baroque Reason: The Aesthetics of Modernity (P. Camiller, Trans.). London: Sage Publications.

Buci-Glucksmann, Ch. (2013). Madness of Vision: On Baroque Aesthetics (D. Z. Baker, Trans.). Athens: Ohio University Press.

Buell, L. (1987). New England Literary Culture: From Revolution Through Renaissance. Cambridge: Cambridge University Press.

Castillo, D. (2001). (A)wry Views: Anamorphosis, Cervantes, and the Early Picaresque. West Lafayette: Purdue University Press.

Davenport-Hines, R. (1998). Gothic: Four Hundred Years of Excess, Horror, Evil and Ruin. New York: North Point Press.

Deleuze, G., & Guattari, F. (1986). Kafka: Toward a Minor Literature. Trans. Dana Polan. Minneapolis: University of Minnesota Press.

Eberhardt, K. (1967). Wojciech Has. Warszawa: Wydawnictwa Artystyczne i Filmowe.

Egginton, W. (2007). The Corporeal Image and the New World Baroque. South Atlantic Quarterly, 106(1), 107-127.

Gibson, M. F., & Majewski, L. (2010). Bruegel: The Mill & The Cross. Olszanica: BOSZ & Angelus Silesius.

Grodź, I. (2008). Zaszyfrowane w obrazie: O filmach Wojciecha Jerzego Hasa. Gdańsk: Słowo/obraz terytoria.

Grootenboer, H. (2005). The Rhetoric of Perspective: Realism and Illusionism in Seventeenth-Century Dutch Still-Life Painting. Chicago: Chicago University Press.

Hamilton Thompson, A. (Ed.). (1910). The Works of Sir John Suckling. London: George Routledge & Sons, Ltd.

Herrick, R. (1969). Hesperides. Facs. Menston: Scolar.

Hogg, J. (1997). The Private Memoirs and Confessions of a Justified Sinner. Ware: Wordsworth Editions.

Insdorf, A. (2017). Intimations: The Cinema of Wojciech Has. Evanston: Northwestern University Press.

Karwański, T. (Producer), & Has, W. J. (Director). (1957). Pętla [Motion picture]. Poland: Zespół Filmowy Iluzjon.

Kaup, M. (2005). Becoming-Baroque: Folding Forms into the New World Baroque with Alejo Carpentier. CR: The New Centennial Review, 5(2), 107-149.

Kaup, M. (2012). Neobaroque in Americas: Alternative Modernities in Literture, Visual Art, and Film. Charlottesville: University of Virginia Press.

Lefevre, J., Rakowski, P. (Producers), & Has, W. J. (Director). (1988). Niezwykła podróż Baltazara Kobera [Motion picture]. Poland and France: Zespół Filmowy Rondo and La Sept.

Lewkowicz, K. (Producer), & Has, W. J. (Director). (1985). Osobisty pamiętnik grzesznika przez niego samego spisany [Motion picture]. Zespół Filmowy Rondo.

Manning, S. (2009). The Puritan-Provincial Vision: Scottish and American Literature in the Nineteenth Century. Cambridge: Cambridge University Press.

Maron, M. (2010). Dramat czasu i wyobraźni: Filmy Wojciecha J. Hasa. Kraków: Universitas.

Orczykowska, U. (Producer), & Has, W. J. (Director). (1973). Sanatorium pod klepsydrą [Motion picture]. Poland: Zespół Filmowy Silesia.

Parkinson Zamora, L., & M. Kaup (Eds.). (2010). Baroque New Worlds: Representation, Transculturation, Counterconquest. Durham: Duke University Press.

Salgado, C. A. (1999). Hybridity in New World Baroque Theory. The Journal of American Folklore, 112, 316-331.

Sarduy, S. (1975). Barroco (S. Sarduy, & J. Henric, Trans.). Paris: Seuil.

Słodowski, J., & T. Wijata. (1994). Rupieciarnia marzeń. Warszawa: Skorpion.

Straszewski, R. (Producer), & Has, W. J. (Director). (1964). Rękopis znaleziony w Saragossie [Motion picture]. Poland: Zespół Filmowy Kamera.

Toeplitz, K. T. (1964). The Films of Wojciech Has. Film Quarterly, 18(2), 2-6.

Turner, B. S. (1994). Introduction. In Ch. Buci-Gluksmann, Baroque Reason: The Aesthetics of Modernity (P. Camiller, Trans.) (pp. 1-36). London: Sage Publications.




DOI: http://dx.doi.org/10.17951/lsmll.2019.43.2.145-156
Date of publication: 2019-07-03 11:00:43
Date of submission: 2018-08-21 01:24:51


Statistics


Total abstract view - 1172
Downloads (from 2020-06-17) - PDF - 499

Indicators



Refbacks

  • There are currently no refbacks.


Copyright (c) 2019 Zofia Kolbuszewska

Creative Commons License
This work is licensed under a Creative Commons Attribution 4.0 International License.