Auction Catalogue Narrativised: Leanne Shapton’s "Important Artifacts and Personal Property from the Collection of Lenore Doolan and Harold Morris, Including Books, Street Fashion and Jewelry"

Grzegorz Maziarczyk

Abstract


This paper aims to tease out multimodal and narrative affordances of an auction catalogue, adapted by Leanne Shapton for novelistic purposes in Important Artifacts and Personal Property from the Collection of Lenore Doolan and Harold Morris, Including Books, Street Fashion and Jewelry. In doing so, Shapton develops a new form of realism, in which the presumed physicality of photographically represented objects appears to anchor the fictional universe in empirical reality. Hers is thus a truly hybrid project: combining verbalisation and visualisation, enumeration and narration, functionality and literariness, her book continually oscillates between the real and the fictional. 


Keywords


Leanne Shapton; "Important Artifacts and Personal Property from the Collection of Lenore Doolan and Harold Morris, Including Books, Street Fashion and Jewelry"; auction catalogue; multimodality; narrativity

Full Text:

PDF

References


Barthes, R. (1977). Rhetoric of the image. Essays selected and translated by Stephen Heath. Image – Music – Text. (pp. 32–51). London: Fontana Press.

Brosch, R. (2018). Ekphrasis in the digital age: Responses to image. Poetics Today, 39(2), 225–243. DOI: 10.1215/03335372-4324420.

Brown, B. (2001). Thing theory. Critical Inquiry, 28(1), 1–16. DOI: 10.1086/449030.

Cosgrove, D. (2001). Apollo’s Eye: A Cartographic Geneology of the Earth in the Western Imagination. Baltimore, London: The Johns Hopkins University Press.

Fjellestad, D. (2018). Testing the limits: Leanne Shapton’s ekphrastic assemblage. Poetics Today, 39(2), 337–357. DOI: 10.1215/03335372-4324493.

Hallet, W. (2009). The multimodal novel: The integration of modes and media in novelistic narration. In S. Heinen, & R. Sommer (Eds.), Narratology in the Age of Cross-Disciplinary Narrative Research (pp. 129–153). Berlin, New York: De Gruyter.

Jakubowski, Z. (2013). Exhibiting lost love: The relational realism of things in Orhan Pamuk’s The Museum of Innocence and Leanne Shapton’s Important Artifacts. In D. Birke, & S. Butter (Eds.), Realisms in Contemporary Culture (pp. 124–145). Berlin, New York: De Gruyter. DOI: 10.1515/9783110312911.124.

Kennedy, R. (2009). A novelist’s catalog of lives on the block. The New York Times, February 4. Retrieved January 4, 2022, from https://www.nytimes.com/2009/02/05/books/05cata.html.

Kress, G., & van Leeuwen, T. (2001). Multimodal Discourse: The Modes and Media of Contemporary Communication. London: Hodder Education.

Neef, S., & van Dijck, J. (2006). Sign here! Handwriting in the age of technical reproduction: Introduction. In S. Neef, J. van Dijck, & E. Ketelaar (Eds.), Sign Here! Handwriting in the Age of New Media (pp. 7–19). Amsterdam: Amsterdam University Press. DOI: 10.1017/CBO9781107415324.004.

Shapton, L. (2009). Important Artifacts and Personal Property from the Collection of Lenore Doolan and Harold Morris, Including Books, Street Fashion and Jewelry. London, Berlin, New York: Bloomsbury.

Shields, D. (2010). Reality Hunger: A Manifesto. London: Hamish Hamilton.

Sontag, S. (1977). On Photography. New York: Picador.

Sturken, M., & Cartwright, L. (2001). Practices of Looking: An Introduction to Visual Culture. Oxford: Oxford University Press.




DOI: http://dx.doi.org/10.17951/lsmll.2022.46.3.25-34
Date of publication: 2022-10-31 18:06:35
Date of submission: 2022-05-13 12:51:24


Statistics


Total abstract view - 662
Downloads (from 2020-06-17) - PDF - 337

Indicators



Refbacks

  • There are currently no refbacks.


Copyright (c) 2022 Grzegorz Maziarczyk

Creative Commons License
This work is licensed under a Creative Commons Attribution 4.0 International License.