Vol 43, No 2 (2019)

Gothic Explorations. Studies in Literature and Film (Guest Editors: Anna Kędra-Kardela, Aleksandra Kędzierska & Andrzej Sławomir Kowalczyk)

Table of Contents

LSMLL_43_2_full_issue
 
PDF
i
Title-Page and Table of Contents
 
PDF
i-v

Introduction

From the Editors
Anna Kędra-Kardela, Aleksandra Kędzierska, Andrzej Sławomir Kowalczyk
PDF
1-2

Articles

Going Down the Drain: Sweeney Todd, Sewerage, and London Sanitation in the 1840s
Jarlath Killeen
PDF
3-18
The Dialogic Mode in Jane Austen’s ”Northanger Abbey”: The Manorial Gothic Meets a Subversive Novel of Manners
Urszula Terentowicz-Fotyga
PDF
19-30
The Utopian and the Gothic in Ellis James Davis’s ”Pyrna: A Commune; or, Under The Ice”
Marta Komsta
PDF
31-39
The Political Gothic of Dystopian Romance. Joseph Shield Nicholson’s ”Thoth” (1888)
Justyna Laura Galant
PDF
41-49
The Fertility of the Supernatural: Stuart Neville’s ”The Ghosts of Belfast”
Jacek Mydla
PDF
51-59
John Dickson Carr’s Early Detective Novels and the Gothic Convention.
Joanna Kokot
PDF
61-74
“You have a lovely and unusual name.” Mrs de Winter from Daphne du Maurier’s ”Rebecca” – a Gothic Heroine in Search of Identity
Anna Kędra-Kardela
PDF
75-85
Mistaken for Ghosts: The Gothic Trope of Catholic Superstition in Conrad and Ford’s ”Romance”
Anne Keithline
PDF
87-96
Violence as Spectacle: Happy Gothic in Ben Aaronovitch’s ”Rivers of London”
Aleksandra Kędzierska
PDF
97-108
“I know not […] what I myself am”: Conceptual Integration in Susan Heyboer O’Keefe’s ”Frankenstein’s Monster” (2010)
Andrzej Sławomir Kowalczyk
PDF
109-123
Living in the Sunken Place: Notes on Jordan Peele’s ”Get Out” as Gothic Fiction
Jorge Bastos da Silva
PDF
125-133
Family Resemblance: Frankenstein’s Monster and the Phantom of the Opera in ”Penny Dreadful” (2014-2016)
Dorota Babilas
PDF
135-143
From a Gothic Text to a Neobaroque Cinema: Wojciech Jerzy Has’s Adaptation of James Hogg’s ”The Private Memoirs and Confessions of a Justified Sinner”
Zofia Kolbuszewska
PDF
145-156
Darwin’s Monsters: Evolution, Science, and the Gothic in Christian Alvart’s ”Pandorum”
Katarzyna Pisarska
PDF
157-166