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Vol 34, No 2 (2016) After the Apocalypse comes Utopia? Ivan Kmínek’s "Utopia, the Best Version" Abstract  PDF
Kenneth Hanshew
 
Vol 34, No 2 (2016) The image of a post-apocalyptic country in Ziemowit Szczerek’s literary work Abstract
Justyna Eliza Dąbrowska
 
Vol 34, No 2 (2016) Contemporary archaeological landscapes. What will we leave behind after the end of times? Abstract
Szymon Domagała
 
Vol 34, No 2 (2016) The Cars that Ate the World. Images of vehicles in post-apocalyptic movies Abstract
Andrzej Juszczyk
 
Vol 34, No 2 (2016) #BlackLivesDontMatter – The Post-apocalypse and Politics in Vince Staples’ “Señorita” Abstract
Lidia Kniaź
 
Vol 34, No 2 (2016) The post-apocalypse, fairy tales and horror in "Roadside Picnic" by the Strugatsky brothers Abstract
Karolina Wieliczko-Paluch
 
Vol 34, No 2 (2016) In the garden of ashes. The symbolic representation of the water of life and the waste land in Cormac McCarthy’s "The Road" Abstract
Szymon Wnuk
 
Vol 34, No 2 (2016) Development of the post-apocalyptic convention as a reflection of Western culture’s fears Abstract
Paweł Franciszek Gąska
 
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