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| Issue |
Title |
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| Vol 47, No 4 (2023): Stories and Conflicts. Narratives of War in Contemporary Literature (Guest Editor: Anna Maziarczyk) |
Stories and conflicts. An Introduction |
Abstract
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Anna Maziarczyk |
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| Vol 44, No 4 (2020): Geocritical Readings of Literature over the Centuries (Guest Editors: Loubna Achheb & Anna Maziarczyk) |
Ian Rankin: A diachronic Study of the City of Edinburgh |
Abstract
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Florence Dujarric |
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| Vol 46, No 4 (2022): Travel narratives. Anabase and catabase from Romanticism (Guest Editors: Carlota Vicens-Pujol & Jolanta Rachwalska von Rejchwald) |
"L’Italie pittoresque" between Travels, History, Narration and Fiction: Local Identities Sought and Discovered by the Other |
Abstract
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Marcella Leopizzi |
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| Vol 46, No 3 (2022): Beyond Language: Intermediality and Multimodality in Literature and Literary Studies (Guest Editors: Dominika Bugno-Narecka, Heidrun Führer & Miriam de Paiva Vieira) |
Writing on Walls: Intermedial Qualities of the Wall in Timothy Findley’s "Famous Last Words" |
Abstract
PDF
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Aurélie Zurbrügg |
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| Vol 43, No 2 (2019): Gothic Explorations. Studies in Literature and Film (Guest Editors: Anna Kędra-Kardela, Aleksandra Kędzierska & Andrzej Sławomir Kowalczyk) |
John Dickson Carr’s Early Detective Novels and the Gothic Convention. |
Abstract
PDF
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|
Joanna Kokot |
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| Vol 44, No 4 (2020): Geocritical Readings of Literature over the Centuries (Guest Editors: Loubna Achheb & Anna Maziarczyk) |
Reality vs. Fiction in "Khalil" by Yasmina Khadra |
Abstract
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Thomas Diette |
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| Vol 44, No 2 (2020): Formal Intersections between Narrative Fiction and Other Media (Guest Editors: Grzegorz Maziarczyk & Wojciech Drąg) |
Ekphrastic Insets in Welsh-Language Fiction 1992-2016: An Overview |
Abstract
PDF
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|
Aleksander Bednarski |
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| Vol 43, No 2 (2019): Gothic Explorations. Studies in Literature and Film (Guest Editors: Anna Kędra-Kardela, Aleksandra Kędzierska & Andrzej Sławomir Kowalczyk) |
The Dialogic Mode in Jane Austen’s ”Northanger Abbey”: The Manorial Gothic Meets a Subversive Novel of Manners |
Abstract
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Urszula Terentowicz-Fotyga |
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| Vol 40, No 2 (2016): Self-Narratives and Social Criticism (Guest Editor: Christophe Ippolito) |
Dominique Fernandez: Psychobiographical Criticism or Psychobiographical Fiction? |
Abstract
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Simona Jișa |
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| Vol 40, No 2 (2016): Self-Narratives and Social Criticism (Guest Editor: Christophe Ippolito) |
Life, Literature and Fictional Memories in Perec’s Narratives |
Abstract
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Rodrigo Ielpo |
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| Vol 40, No 2 (2016): Self-Narratives and Social Criticism (Guest Editor: Christophe Ippolito) |
Autobiography and "Genre" Transgression in Malika Mokeddem’s Works |
Abstract
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Fizia Hayette Mokhtari |
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| Vol 40, No 2 (2016): Self-Narratives and Social Criticism (Guest Editor: Christophe Ippolito) |
Alterity, First-Person Narratives and Memory in Paul Auster’s Works |
Abstract
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Mehdi Kochbati |
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| Vol 41, No 1 (2017): Lenses on English Literature and Teaching English (Guest Editors: Ferit Kilickaya & Mustafa Zeki Cirakli) |
Muriel Spark’s Employment of Burlesque: Parody of Detective Fiction in Not to Disturb |
Abstract
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Serkan Ertin |
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